| 9:30pm |
Steamboat Bill Jr. (USA 1928, 71 min, Director: Buster Keaton) – Score and Performance: Miller the Killer Venue: Indoor Swimming Pool Frankenhof |
| 7pm | Johan (S 1921, 84 min, Director: Mauritz Stiller) – Score: Alexander Popov (Premiere); Performance: ensemble Kontraste; Conductor: Frank Strobel |
| 11pm |
Anders als die Anderen (D 1919, 41 min, Regie: Director Oswald) – Score: Bernd Schultheis Un Chant D’Amour (F 1950, 20 min, Director: Jean Genet) – Score: András Hamary (Premiere); Performance: ensemble Kontraste |
| 3pm |
Stan Laurel & Oliver Hardy Double Whoopee (USA 1929, 20 min, Director: Lewis R. Foster) Do Detectives Think? (USA 1927, 20 min, Director: Clyde A. Bruckman) The Finishing Touch (USA 1928, 19 min, Director: Clyde A. Bruckman) Score and Performance: Yogo Pausch |
| 7pm | Der Golem und wie er in die Welt kam (D 1920, 90 min, Director: Paul Wegener) – Score: Betty Olivero; Performance: Alexander Klemmstein (Violin), Krisika Kaukomen (Viola), Marcel Körner (Violoncello), Beorg Brinkmann (Clarinet); Conductor: Stefan Hippe |
| 11pm | The Lodger — Story of the London Fog (GB 1926, 92 min, Director: Alfed Hitchcock) – Score: Joby Talbot; Performance: ensemble Kontraste; Conductor: Frank Strobel |
| 11am |
Avantgarde-Programm-Matinee Un chine Andalou (F 1928, 20 min, Director: Luis Buńuel, Salvador Dalě) – Score: Josef Anton Rield; Richard Wagner with Argentinian Tangos Vormittagsspuk (D 1928, 9 min, Director: Hans Richter) – Score: Klaus Treuheit (Premiere); Conductor: Stefan Hippe |
| 5pm |
The Great Train Robbery (USA 1903, 13 min, Regie: Edwin S. Porter) The Battle at Eldersbush Gulch (USA 1914, 29 min, Regie: David Wark Griffith) Score and Performance: Pupils of the Marie-Therese-Gymnasium; Conductor: Harald Luft |
| 7pm | Battling Butler (USA 1926, 62 min, Director: Buster Keaton) – Score and Performance: Helmut Nieberle (Gitarre), Bob Rückerl (Bariton–Saxophone), Karsten Gnettner (Contrabass) |