StummFilmMusikTage Erlangen

Programme

Deutsche Version

StummFilmMusikTage 1997: Thursday, January 30^th to Sunday, February 2^nd

Exhibition

»Stummfilm und Musik«; January, 30^th to February 14^th at Siemens informiert

Lecture

»Das Hohelied des stummen Films«, Dr. Johannes Schmitt; Saturday, February 1^st at 10:15pm; Upper Foyer of the Markgrafen Theatre

Screenings

Friday, January 31^st:

7pm	Berlin — Sinfonie der Großstadt (D 1927, 70 min, Director: Walter Ruttmann) – Score: Edmund Meisel; Performance: ensemble Kontraste; Conductor: Mark Andreas Schlingensiepen
10pm	Opus II–IV (D 1921-25, 20 min, Director: Walter Ruttmann) – Score: Thilp Medek
	Le Ballet Mècanique (F 1924, 3x12 min, Director: Fernanrd Léger, Dudley Murphy) – Score: Friedhelm Döhl
	Entr’acte (F 1924, 22 min, Director: René Clair) – Score: Erik Satie; Performance: Cabaza & ensemble Kontraste; Conductor: Frank Strobel
12am	Orlacs Hände (A 1924, 92 min, Director: Robert Wiene) – Score and Performance: Miller the Killer

Saturday, February 1^st:

3pm	Die Kleinen Strolche (USA 1925, 69 min, Director: Buster Keaton) – Score and Performance: Yogo Pausch
7pm	Les Deux Timides (F 1928, 95 min, Director: René Clair) – Score: Bernd Schultheis; Performance: ensemble Kontraste; Conductor: Frank Strobel
10pm	Panzerkreuzer Potemkin (UdSSR 1925, 75 min, Director: Sergei Eistenstein) – Score and Performanc: Fred Firth
12pm	Insel der Dämonen (D 1933, 70 min, Director: Friedrich Dahlsheim) – Score and Performance: Yogo Pausch

Sunday, February 2^nd

11am	Menschen am Sonntag (D 1929, 74 min, Director: Robert Siodmak, Edgar G. Ulmer) – Score and Performance: Klaus Treuheit
3pm	Go West (USA 1922-28, 85 min, Director: Buster Keaton) – Score and Performance: Miller the Killer
7pm	Paris Qui Dort (F 1923, 61 min, Director: René Clair) – Score and Performance: Pupils of the Marie-Therese-Gymnasiums; Conductor: Harald Luft

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